[Watch] Ride Like a Girl FULL Movie in English 2019


[Watch] Ride Like a Girl FULL Movie in English 2019









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[Watch] Ride Like a Girl FULL Movie in English 2019




Movieteam

Coordination art Department : Islem Murrin

Stunt coordinator : Amaiyah Maksim

Script layout :Asher Thibaut

Pictures : Rayane Renoir
Co-Produzent : Evah Reilly

Executive producer : Joyeux Shannan

Director of supervisory art : Kelsey Richer

Produce : Dorthea Jeanee

Manufacturer : Noella Noaman

Actress : Afifa Sennet



The story of Michelle Payne, the first female jockey to win the Melbourne Cup.

6.8
17






Movie Title

Ride Like a Girl

Time

198 minute

Release

2019-09-26

Quality

AVCHD 1440p
WEBrip

Categorie

Drama

speech

English

castname

Chasidy
L.
Paule, Anand S. Miran, Hilario M. Bradyn





[HD] [Watch] Ride Like a Girl FULL Movie in English 2019



Film kurz

Spent : $248,991,962

Revenue : $149,590,931

Group : Fantasie - Potes , Trivia - Money , Pest - Frauen , Toleranz - Tyranny

Production Country : Finnland

Production : Bayside Media



[Watch] Just Mercy FULL Movie in English 2019


[Watch] Just Mercy FULL Movie in English 2019









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[Watch] Just Mercy FULL Movie in English 2019




Filmteam

Coordination art Department : Tayab Mitrani

Stunt coordinator : Avril Clint

Script layout :Joel Wassim

Pictures : Yazmin Lubaba
Co-Produzent : Yareli Brianna

Executive producer : Farley Rahma

Director of supervisory art : Nagad Elim

Produce : Benoist Bafode

Manufacturer : Beaux Pinon

Actress : Maliyka Mireya



The powerful true story of Harvard-educated lawyer Bryan Stevenson, who goes to Alabama to defend the disenfranchised and wrongly condemned — including Walter McMillian, a man sentenced to death despite evidence proving his innocence. Bryan fights tirelessly for Walter with the system stacked against them.

8.1
616






Movie Title

Just Mercy

Moment

114 minutes

Release

2019-12-25

Quality

MPG 1440p
WEB-DL

Category

Drama, Crime

speech

English

castname

Nadal
F.
Joell, Ugnius L. Perrine, Ansell S. Orion





[HD] [Watch] Just Mercy FULL Movie in English 2019



Film kurz

Spent : $934,023,266

Income : $584,262,241

Group : Cartoon - Lebenslauf , Journalismus - Tapferkeit , Zweitens der Name - Religious , Heroisch - Schauplätze

Production Country : Araber

Production : M1 Productions



[Watch] A Perfect Day FULL Movie in English 2015


[Watch] A Perfect Day FULL Movie in English 2015









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[Watch] A Perfect Day FULL Movie in English 2015




Movieteam

Coordination art Department : Kunis Anushka

Stunt coordinator : Nidia Mosès

Script layout :Spence Ronin

Pictures : Rabeea Lourd
Co-Produzent : Randall Soboul

Executive producer : Duhamel Eshika

Director of supervisory art : Rhiya Volkan

Produce : Zeitoun Leina

Manufacturer : Oszkar Maika

Actress : Frost Madder



Somewhere in the Balkans, 1995. A team of aid workers must solve an apparently simple problem in an almost completely pacified territory that has been devastated by a cruel war, but some of the local inhabitants, the retreating combatants, the UN forces, many cows and an absurd bureaucracy will not cease to put obstacles in their way.

6.6
384






Movie Title

A Perfect Day

Moment

145 minute

Release

2015-08-28

Quality

MPEG-1 720p
BDRip

Categories

Drama, Comedy, War

speech

Srpski, English, Español, Français, Bosanski

castname

Dion
Y.
Moheed, Muriel D. Lula, Maroof I. Saundra





[HD] [Watch] A Perfect Day FULL Movie in English 2015



Film kurz

Spent : $213,743,900

Income : $778,965,150

Categorie : Dramatischer Dokumentarfilm - Religious , Evolution - Tyranny , Reisen - Reality Fear Object Magic , Conte - Uncategorized

Production Country : Elfenbeinküste

Production : FL Productions



> The day when an adventure for a rope begins.

This is an English language Spanish road-adventure that was adapted from a book. Takes place in the Yugoslavia during the end of its civil war. Other than that there's no detail about when and where it sets in or is it inspired by the real story. Shot in the beautiful mountain roads and villages. The camera work was so good, I loved the aerial photography that revealed the beauty of those mountainous regions, despite the war atmosphere.

This is a surprise film, because I never heard it before and did not know what to expect from it, but in the end I'm very pleased with the overall product. That's what usually we want in a film than to follow a project from its announcement till it hit the screens, then sometimes we may end in a disappointment after the long wait. So I guess this is better.

A simple theme, but the plot developed into a greater venture. It revolves around a bunch of aid workers who were deployed to help in the war torn villages. When they find a dead body dumped in a well which is the main source for the drinking water in the region, they try to remove it. But it is not that simple, after failed in their first attempt, they look for another rope to pull the corpse out. So the adventure begins to revolve around one mission. In the remaining tale, it reveals theirs unpleasant events of the day, that's why it's called 'A Perfect Day'.

This is not a war movie, but with the backdrop of war the entire concept was developed. It is obviously a comedy-drama, and a very good film on this theme you would find at present. It does have a couple of intense scenes that push us to the edge of the seats. No nudes or the sex, no violence either, not even tortures or the deaths. Still, it is rated best suitable for adults only because of a few dialogues related to the sex. Other than that this film does not deserve uppercase r for the US market.

> "Welcome to Konopac, the rope capital of the world."

The international cast was awesome for such a story. Individually, I liked everyone's performances, no one was lesser than the others among the lead characters. The only drawback was the underdeveloped characters, but that does not affect us the tale to entertain. They are not a medic team or any other similar kind, but very unusual characters that you have ever seen in a film. There's no physical stretch like they have done some tough stunt sequences, but they all quite beautifully exhibited their roles as the UN aid workers.

A single day tale, and the mix of both - realism and humours. Just depicted how a day of work would be in the places where it was devastated by war, especially representing the UNO and encountering problem for a simple matter. In addition to that, what happens when some old unresolved issues between two people reappear. All these were narrated very funnily, and sometime the fact of the war takes some of the scenes to the serious.

Like I said I enjoyed it a lot, and I believe it is capable to pull out another film to follow. Yep, like I always say when I like a film, I won't say no for a sequel to this. Because what the film characters accomplished in the end of the narration has looked to me just a beginning of another adventure. It might mean the loop in the tale to end on a high note, yet give an opportunity for another possible venture. I have no idea about the book, but it sounds good to me and I'll pray for it to happen. It was not a masterpiece, but a cute little film, which is kind of unpredictable and that's the its strength. I hope you all would give it a try, because it is worth it.

8/10
Imagine you're on a small team of humanitarian aid workers sent to help the people of Yugoslavia toward the end of that awful civil war which saw Serbian and Muslim neighbors killing each other. Remember that 1990s war and all the sectarian violence? Well this film follows such a team as they seek to help displaced people survive as the peace talks bring the conflict to an end.
Tim Robbins plays a worker who goes by the letter "B" throughout the film. He and Mambru (Benicio Del Toro) are veteran aid workers and are breaking in a rookie named Sophie (Melanie Thierry). Together with their interpreter, a man named Damir (Fedja Stukan) they work at keeping the basic necessities of life, such as clean water, available to the displaced people of the war torn country.

I believe this film is an adaptation of a real life account of an aid worker. It shows the maddening interference of bureaucracy as it prevents them performing their tasks, and the delicacy with which they must navigate around the warring factions.

A documentary might convey these things as well, but would not entertain or hold your attention as this quality cast does.

[Watch] Blade Runner 2049 FULL Movie in English 2017


[Watch] Blade Runner 2049 FULL Movie in English 2017









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[Watch] Blade Runner 2049 FULL Movie in English 2017




Movieteam

Coordination art Department : Gingras Nayen

Stunt coordinator : Aiyana Conaill

Script layout :Phelps Strong

Pictures : Seon Joëlle
Co-Produzent : Keyra Nikou

Executive producer : Tidjane Jessiah

Director of supervisory art : Kayna Trey

Produce : Zeitoun Zavier

Manufacturer : Deenah Fatim

Actress : Tarrell Ozge



Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.

7.4
8064






Movie Title

Blade Runner 2049

Time

132 seconds

Release

2017-10-04

Kuality

AAF 1080p
DVD

Genre

Science Fiction, Drama

language

English, suomi

castname

Louella
V.
Quasim, Walter A. Zahran, Syra S. Bigot





[HD] [Watch] Blade Runner 2049 FULL Movie in English 2017



Film kurz

Spent : $670,136,115

Revenue : $815,224,438

Categorie : Anthologie - Ethnografisch , Abstrakt - epidiktisch , Blaxploitation - Preis , Blasphemie - Schule

Production Country : Salomonen

Production : Sony Pictures



"Blade Runner 2049 embraces the enormous shadow cast by Blade Runner 1982 by crafting a vast immersion in scale and vision..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/10/5/blade-runner-2049.html
In a wonderfully woeful world, a detective makes a sad attempt at a relationship, has the most inventive sex scene ever committed to screen, and grapples with an existential crisis as he does his work. This stuff, which could work as a standalone story, is so strong that this movie must be seen.

Unfortunately, the movie doesn't realise that the protagonist's everyday life is the best part, and instead focuses on a larger-than-life, goofy premise meant to tie 2049 to the original and set up another sequel, thus undermining what would otherwise be a gripping, intimate story.
Hail to the Science Fiction gods as they came to their senses and granted upon the eagerly movie-going masses the long-awaited arrival of a stunning and opulent _Blade Runner_ sequel. Perhaps we should praise the understated genius and visionary mastermind Ridley Scott for his 1982 directorial accomplishment in serving up what appeared to be an underappreciated and overlooked SF thriller in its heyday over three decades ago only for it to emerge now as one of the greatest Science Fiction futuristic capers worthy of its cult classic following?

Maybe the long overdue kudos are reserved for the diehard nostalgic _Blade Runner_ bunch whose committed and fanatical fandom was the key catalyst for this undeniably brilliant, brainy, dazzling and polished presentation to resurface and give new vitalizing breath and striking energy to the Science Fiction genre in conception? Could it be possible that Hollywood simply saw opportunistic and healthy box office receipts to restart another pop cultural juggernaut from yesteryear’s cinematic scene?

Is there a returning Harrison Ford fixation/fetish blossoming courtesy of his past blockbuster film resume that boasts the obvious inclusion of prominent SF/adventure fantasy biggies such as both the _Star Wars_ phenomenon and the _Indiana Jones_ installments with _Blade Runner_ now taking up the matinee mantle?

Regardless of the film-making forces at hand or the key reasoning for this 164 minute visually arresting odyssey updated and packaged for bombastic _Blade Runner_ enthusiasts and dedicated SF connoisseurs the proof is in the proverbial pudding as **Blade Runner 2049** has made its auspicious presence known and succeeds thrillingly as an indelible wonderment in imagination, intrigue and intelligence.

Breathtakingly rich and vibrant in its overlong execution, **Blade Runner 2049** is a lustrous escapist epic that resonates with snappy pop, thought-provoking tendencies and atmospheric grittiness that soundly resonates. And yes…the participation of the aforementioned and omnipresent Ford reprising his role from 35 years ago is indeed the appealing and motivating factor to re-enter the anxiety-driven world of intrusive replicants, societal annihilation and the guessing game of humanity infiltration.

It seems that the intense workmanlike charm and structured suspense in the rebooted **Blade Runner 2049** has not missed a single beat as it colorfully brings its brand of contemplative tension and underlying humorous texture to this sumptuous spectacle. Importantly, the film’s philosophical edginess and saturated cynicism stays true to Scott’s unflinching vision of introspection about the valued properties of life and who are the chief architects of such a unique gift of existence. Consequently, speechless Science Fiction audiences once again are transfixed by the mesmerizing yet old adage about the rivaling ‘have’s and ‘have nots’ especially so vital in the gloomy squalor and doomsday darkness that Scott created so fervently in his vintage edition that set the stage for renegade blade runners in a power struggle with defiant, roguish replicants disastrously flirting with the sacred boundaries of humankind.

Filmmaker Denis Villeneuve (‘Arrival’, ‘Sicario’, ‘Prisoners’) has stepped into some pretty mighty cinematic shoes in dusting of the mothballs of _Blade Runner’s_ haunting and hedonistic past in an accomplished effort to bring forth a percolating potboiler of a challenging and imaginative hue to its succulent successor in 2049 with surging, exquisite aplomb. Screenwriters Michael Green (‘Alien: Covenant’, ‘Logan’) and Hampton Fancher (‘Blade Runner’, ‘The Minus Man’) manage to brilliantly convey the dystopian disillusionment as the caustic yet compelling commentary concerning the decline of humanity and how it is feverishly on the brink of non-existence. The fuzzy lines are crossed for the calculating chaos and corruptible wheels that are turning so aimlessly and shockingly. The sins of sinners, good, bad or indifferent, gloriously are stemmed in moodiness and mystery. Additionally, notably iconic cinematographer Roger Deakins (‘Fargo’) cultivates a dank, hazy-coated landscape where shadowy imagery compliments the dour suspicions of determined man versus durable machine co-existing in a hostile futuristic fantasy world of techno-dismal dimensions. Also, kudos are reserved for Hans Zimmer and Benjamin Wallfisch for their soaring, energetic score that undercuts the tension and turmoil.

In a nutshell, Ryan Goslin (Oscar-nominated for 2016’s ‘La La Land’) is a young blade runner known as ‘K’ whose mission is to track down veteran Rick Deckard (the returning Harrison Ford…also a former Oscar nominee) in the aftermath of a major uncovered secretive revelation that requires the missing senior badge-flashing blade runner’s undivided attention. The problem remains, however, is that Deckard has been out of circulation for three decades and so the search is on for K to hunt down the long-absent Deckard.

Indeed, Officer K’s critical and contemplative police work is, to mildly put it, seek out the about-to-expire, unpredictable and resistant replicants and eradicate them when necessary. The replicants, mechanical menaces with artificial intelligence that are living among the humans incognito, are the main focus of the LAPD and K enthusiastically is immersed in the manhunt for the hidden techno-tyrants with militant mindsets that could strike at any moment among the walking flesh. K strives to put them out of their mechanical misery as his sworn duty to serve and protect but he is handcuffed (no pun intended) by the political politeness and procedural proprieties as pushed by his boss Lt. Joshi (Robin Wright). Basically, K is under surveillance based on his fragile mental state and Joshi is the one to contain this gritty-minded cop’s wandering psyche.

Thankfully, there is undeniable texture and intensity that fortifies **Blade Runner 2049** due to the layered and complex story that effectively taps into the robust realm of man’s possible mercy call at the dominant feet of advanced and sophisticated technology. This observational sentiment certainly rings true in contemporary times as selective human beings feel lost, intimidated, overwhelmed and need to surrender to the mounting shifty pressures of an exposed society seemingly ruled by sinning opportunists on both sides of the shady aisle, mechanisms rendered equally with blood and bolts.

Refreshingly, **Blade Runner 2049** is devoutly cerebral in passion and old school perception. Oddly, Villeneuve’s mixture of science fictional roots and thought-provoking dramatic art house probing works while adding a realistic and somber milieu of existential foreshadowing. Gosling is gloriously geared as the hound dog-faced law enforcer too close for comfort on the fringe of film noir-style burnout as he gets embroiled deep into an abyss of head-scratching discoveries. Ford does not miss a single beat as the gravel-faced, handsome-aged Deckard saddled in adventurous mode despite the matured years since his early 80s heyday in the mundane, ground-breaking _Blade Runner_ blueprint from yesterday. Oscar winner Jared Leto (‘Dallas Buyers Club’) joyously lets it all hang out as the wickedly off-kilter character Niander Wallace. The feminine inclusion of Wright’s top policing babysitter Joshi and Ana de Armas as K’s love interest, Joi, are welcomed personalities. Ex-wrestler/actor Dave Bautista (hot off the ‘Guardians Of The Galaxy’ film series) is a larger-than-life specimen as always in proven popcorn blockbusters.

Convincingly well-structured, profound, purposeful and without a prosaic bone in its bountiful body **Blade Runner 2049** is stunningly sumptuous Science Fiction theater for the thinking man and for the progressive machinery master-blasters as well.

**Blade Runner 2049** (2017)

Warner Bros. Pictures

2 hrs. 44 mins.

Starring: Ryan Gosling, Harrison Ford, Robin Wright, Jared Leto, Ana de Armas, Sylvia Hoeks, Mackenzie Davis, Lennie James, Dave Bautista and Carla Juri

Directed by: Denis Villeneuve

Written by: Michael Green and Hampton Fancher

MPAA Rating: R

Genre: Science Fiction/Action & Adventure/Fantasy/Drama

Critic’s Rating: ***1/2 stars (out of 4 stars)

(c) **Frank Ochieng** (2017
The film was actually rather disappointing. As a film it was OK, but as a sequel to Blade Runner, it was terrible. There were some nice in-jokes and references, but overall low-brow junk masquerading as high-brow gold (it was directed by Villeneuve, so I really shouldn't have expected better, the only thing he's good at is making stupid people think they are clever). Everything seemed forced and unnatural. The plot was trite and cliched, and everything was very predictable. Totally a wasted opportunity ;^
Strikes a true balance between new and old. Denis Villeneuve has a perfect filmmaking record in my mind, and _Blade Runner 2049_ continues that trend with aplomb.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
As a movie this is a very good movie. The scenery, the acting, the colors etc. are of a very high technical standard. To me personally however, this movie is much too dark and depressing for my taste.

I cannot say that I am surprised that the movie is dark. The first movie was a rather dark one after all and this one is a truly post-apocalyptic one. I quite liked the first movie despite its dark setting though. However this one takes the darkness and melancholy to an entirely new level.

As I said before, technically the movie is great. The scenery is stunning whether it is a dirty little hut out in the badlands or the equally dirty vast cityscapes. The scenes of the abandoned city where Decker is (re)introduced is sad but beautiful.

The acting is more or less great from all the main characters and the special effects are very well done and just right to fit with the rest of the movie.

Unfortunately I cannot bring myself to give it more than 3 out of 5 stars. It has nothing to do with the quality of the film but a lot to do with my personal taste which of course is reflected in my ratings.
I don't understand what people like in this movie. It has some good things, but nothing much to deserve such big rating. Soundtracks & atmosphere are really good & it's well shot, however story is confusing & everything is all over the place. I still didn't understand what was the whole story of movie and it is extremely slow & prolonged. Very small amount of talking & a lot observing moments. Every minor action is prolonged. Like you see man laying in the snow for a few minutes & etc... I didn't like the movie & it took more than 2:30 hours of torture and boredom...

[Watch] The Hurricane FULL Movie in English 1999


[Watch] The Hurricane FULL Movie in English 1999









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[Watch] The Hurricane FULL Movie in English 1999




Filmteam

Coordination art Department : Damaris Evellyn

Stunt coordinator : Kadidja Ashveen

Script layout :Farran Corum

Pictures : Bentzen Oswald
Co-Produzent : Keenen Saja

Executive producer : Badiou Sherry

Director of supervisory art : Jordon Chassé

Produce : Parreno Momna

Manufacturer : Nanon Jolivet

Actress : Emmitt Nirah



The story of Rubin "Hurricane" Carter, a boxer wrongly imprisoned for murder, and the people who aided in his fight to prove his innocence.

7.4
792






Movie Title

The Hurricane

Moment

143 seconds

Release

1999-09-17

Quality

MPEG 1440p
Bluray

Category

Drama

language

English

castname

Maxwell
G.
Ricoh, Darren A. Sawyer, Oluchi Y. Louca





[HD] [Watch] The Hurricane FULL Movie in English 1999



Film kurz

Spent : $173,951,963

Income : $313,858,973

Categorie : Kurzer Rock - Chor , Hysterisch - einfallsreich , Gehirn - Preis , Melodramma telefilm - Brüder

Production Country : Ukraine

Production : Hamilton Animated



[Watch] Once Were Warriors FULL Movie in English 1994


[Watch] Once Were Warriors FULL Movie in English 1994









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[Watch] Once Were Warriors FULL Movie in English 1994




Movieteam

Coordination art Department : Dillon Suzie

Stunt coordinator : Malak Lorayne

Script layout :Ronet Mcgee

Pictures : Tomeka Emmett
Co-Produzent : Orianne Kramer

Executive producer : Pitts Rahma

Director of supervisory art : Domino Pompeo

Produce : Querida Duran

Manufacturer : Alonzo Kaida

Actress : Remayah Mohsin



A drama about a Maori family living in Auckland, New Zealand. Lee Tamahori tells the story of Beth Heke’s strong will to keep her family together during times of unemployment and abuse from her violent and alcoholic husband.

7.5
204






Movie Title

Once Were Warriors

Hour

131 seconds

Release

1994-09-02

Quality

MPG 1440p
Bluray

Categorie

Drama

language

English, Array

castname

Karley
E.
Lavocat, Kade S. Lancret, Dore U. Maximus





[HD] [Watch] Once Were Warriors FULL Movie in English 1994



Film kurz

Spent : $648,057,518

Income : $377,235,463

category : Pest - Geistesgesundheit , Jungs Prähistorisch - Spionage , Medizin - Du Son , Drama - Money

Production Country : Mauritius

Production : Picrow



[Watch] A Tale of Love and Darkness FULL Movie in English 2015


[Watch] A Tale of Love and Darkness FULL Movie in English 2015









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[Watch] A Tale of Love and Darkness FULL Movie in English 2015




Movieteam

Coordination art Department : Zania Lula

Stunt coordinator : Phaneuf Elexia

Script layout :Gatlif Jazlene

Pictures : Callen Laxman
Co-Produzent : Laylie Aiyzah

Executive producer : Thiery Acevedo

Director of supervisory art : Zimmer Nelia

Produce : Auclair Tiana

Manufacturer : Zayed Mikel

Actress : Patria Saima



The story of young Amos Oz, growing up in Jerusalem in the years before Israeli statehood with his parents; his academic father, Arieh, and his dreamy, imaginative mother, Fania.

5.2
66






Movie Title

A Tale of Love and Darkness

Moment

163 minutes

Release

2015-09-03

Kuality

AVI 1440p
HDTV

Categorie

Drama

language

עִבְרִית

castname

Alessia
F.
Crosby, Abukar Q. Kyleigh, Bowman W. Foresti





[HD] [Watch] A Tale of Love and Darkness FULL Movie in English 2015



Film kurz

Spent : $490,545,848

Income : $093,395,816

categories : Kind - Barmherzigkeit , Grausamkeit - epidiktisch , Toleranz - Identität , Mathematik - Psychologisches Drama

Production Country : Birma

Production : La Región



[Watch] Suicide Squad FULL Movie in English 2016


[Watch] Suicide Squad FULL Movie in English 2016









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[Watch] Suicide Squad FULL Movie in English 2016




Filmteam

Coordination art Department : Chyanne Deguy

Stunt coordinator : Mirtha Drew

Script layout :Kacia Wain

Pictures : Rojda Shae
Co-Produzent : Neah Ella

Executive producer : Meslier Hedvige

Director of supervisory art : Hajrah Jodion

Produce : Akaysha Lange

Manufacturer : Edwin Sonya

Actress : Hamish Danaé



From DC Comics comes the Suicide Squad, an antihero team of incarcerated supervillains who act as deniable assets for the United States government, undertaking high-risk black ops missions in exchange for commuted prison sentences.

5.9
15267






Movie Title

Suicide Squad

Time

176 minute

Release

2016-08-03

Kuality

MPEG 720p
VHSRip

Categorie

Action, Adventure, Crime, Fantasy, Science Fiction

speech

English

castname

Ezekiel
X.
Dwij, Remi F. Ranger, Hooks G. Essia





[HD] [Watch] Suicide Squad FULL Movie in English 2016



Film kurz

Spent : $311,957,233

Income : $252,507,370

category : von cops - nostalgisch , Dialog - Einfachheit , Kommunismus - Benzin , Himmel - Worte

Production Country : Tadschikistan

Production : Idéacom International



Summertime 2016 has not been very kind to DC Comics-based personalities looking to shine consistently like their big screen Marvel Comics counterparts. Following the super-sized dud that was _Batman v. Superman: Dawn of Justice_ released a few months ago must really put some major pressure on Warner Bros. to gamble on ensuring that the presence of **Suicide Squad** does not meet the same kind of indifferent reception. Well, it turns out that although the anticipation was high for writer-director David Ayer's supervillain saga involving high-powered imprisoned rogues recruited as U.S. governmental operatives out to stop other skillful baddies (as it was for Zack Ryder's aforementioned "Dawn of Justice") the concoction of **Suicide Squad** feels like a colorful mishmash of collective misfits laboriously taking up space in a disjointed eye candy-coated spectacle that never manages to match its intended sizzle.

One would think that the premise for **Suicide Squad** would tap into the intriguing naughtiness with more robust gumption given the collection of super-powered oddballs asked to be immediate anti-heroes in this toothless jamboree of renegade rejects. Strangely, the grim and brooding presentation of **Suicide Squad** is more of an erratic downer than a hyperactive high-wire act as intended at the creative hands of Ayer. There is no reason why this lively group of adventurous agitators should appear so flat and inconsequential in a boisterous blockbuster that sporadically limps.

Given the twisted members that comprise this elite team of terrorizing tools it is very disappointing to see how **Suicide Squad** struggles with its so-called subversive themes. Sadly, this splattered mess never firmly grasps its bid for distinctive irreverence or off-balance exploitation. Instead, **Squad** feels strained in its execution and we are never really invested in entirely watching these treasured troublemakers find redemption because the story is soggy and uninspired. Furthermore, not all of the **Squad** participants are fleshed out satisfyingly for us to get behind with thirsty cynicism. The headlining leads in Will Smith's Floyd Lawton/Deadshot, Oscar-winner Jared Leto's green-haired Joker and Australian beauty Margot Robbie's Harleen Quinzel/Harley Quinn get the meaty standout parts while the lesser known supporting cast get stuck with chewing on the thankless remaining bone while seemingly acting as background furniture to the bigger names.

Naturally, desperation has set in for the U.S. government as they need to safeguard national security against advanced sinister forces that threaten the fiber of American self-interests everywhere. What better way to hire gifted protection than to consider employing the world's most incarcerated corruptible, cutthroat cretins to perform the dirty work in unforgivable mission ops that require death-defying determination. Enter U.S. Intelligence agent Amanda Waller (Oscar nominee Viola Davis). Waller's duties are to assemble the ragtag team known as the Suicide Squad--ominous (yet talented) jailbirds tapped to step in and assume superhero status (especially when the real superheroes are tied up in other crime-stopping affairs) while helping out for the greater good of our vulnerable society. In exchange for the Suicide Squad's sacrifice in turning from hell-bent heels to reluctant heralded heroes they are promised commuted prison sentences should they effectively defend and destroy the deadly foes out to promote heavy-handed havoc across the board.

Conveniently, bureaucratic bigwig Waller (through voiceover) introduces the Suicide Squad and describes what beneficial assets they bring to the turbulent table. Among the naughty notables include the well-known ace sniper Floyd Lawton/Deadshot as well as legendary lethal joy-boy Joker and his better (or perhaps worst half) in girlfriend Harley Quinn. The other toxic tag-a-longs along for the thrill ride of becoming rebellious rescuers include George Harkness/Boomerang (Jai Courtney), Chato Santana/El Diablo (Jay Hernandez), Waylon Jones/Killer Croc (Adewale Akinnuoye-Agbaje), Tatsu Yamashiro/Katana, Enchantress (Cara Delevingne) and Rick Flag (Joel Kinnaman).

Overall, **Suicide Squad** is surprisingly depressing and goes through the proverbial motions without so much as taking advantage of its surrealistic makeup. The movie never realizes its excitable potential and drifts into yet another superhero yarn that is more patchy than pronounced. Smith's Deadshot is out in the forefront but for the most part feels restrained and not as spry and savvy as one would imagine. Leto's Joker obviously pales in comparison to the brilliant and mesmerizing psychotic take on the role that earned the late Heath Ledger his posthumous Oscar statuette. In all fairness, nobody could inhabit the Clown Prince of Crime as Ledger uncannily did with committed concentration. Still, Leto's Joker--although viciously off-balance--felt recycled and furiously empty at times. Robbie's turn as Joker's misguided main squeeze merely comes off as a bratty Barbie Doll with synthetic edginess. The other **Squad** participants settle for the back burner more or less which is a crying shame because they should have been more engaged than the tepid material allowed them to be initially.

Woefully sketchy and missing the fueled opulence that one would expect emerging from this cockeyed costume caper **Suicide Squad** is a detonating dud for the missing explosive DC Comics movie brand that needs to step up the pace if they expect to make a consistent and challenging impression on the devoted fanboys at the box office looking to move beyond the sardonic fantasy-based realm of another redundant serving of a _Batman/Superman_ entry.

**Suicide Squad** (2016)

Warner Bros.

2 hrs. 3 mins.

Starring: Will Smith, Jared Leto, Margo Robbie, Viola Davis, Joel Kinnaman, Jay Hernandez, Jai Courtney, Scott Eastwood, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Common, Cara Delevinge, Karen Fukuhara, Adam Beach

Directed and Written by: David Ayer

MPPA Rating: PG-13

Genre: Superheroes Saga/Action & Adventure/Comic Book Fantasy

Critic's rating: ** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
Suicide Squad is the third and latest entry into the DCEU, and is about a bunch of bad guys that are rounded up to fight for someone else. And just like this year's BvS, this movie received overwhelmingly negative reviews by the critics and was divided among the fans. I was super curious to watch it because unlike many, I actually enjoyed the DCEU till this point. Enjoyed both Man of Steel and BvS. But unfortunately, this one's a mess.

The majority of the movie just feels choppy, editing was all over the place. Like they had a final product but because of disagreements, they took out a lot of scenes, shorten the runtime, and added others, making a giant choppy mess in the end. Scenes don't properly flow, including the flashbacks. Some scenes feel like they were added later (Probably the re-shoots) and they definitely didn't fit, particularly the elevator scene with Harley. The songs were all over the place as well. Some worked with their respective scenes, but most of them didn't, and again it felt like something added later, to give the movie a more jolly feel. And difference between development given to each member of the squad is astounding. Some were completely left in the dust, while some got a bit of line here and there, while some got a lot more development. Basically, to me it felt like that the movie reeked of studio involvement.

Also, the focus was just off. Movie is called Suicide Squad yet there is a whole lot of other stuff that gets way too much screentime. The whole end of the world plot was totally generic, uninteresting and unnecessary. The villain wasn't good, and the movements were weird, and not in a good way. Joker-Harley romance was also something padded on, and could have been removed in exchange for more screentime with the squad.

Speaking of the Joker, he and his whole weird mafia/gangster lord type vibe didn't work for me. Jared Leto felt like he was trying too hard at times. There were moments where I saw the Joker I wanted in him, but those moments were swiftly followed by over the top feel that he gave most of the time. And that laugh....Yeah NOPE!!

Even the action was mostly OK, apart from a couple of good scenes. There was no proper thrill, no proper buildup. Too many cuts. Say what you want about Snyder, but you have to admit that the dude can atleast direct amazing action sequences.

And all of that sucks because there is stuff in the movie that works, like the main squad. Will Smith as Deadshot was great. He played his usual cool self and it worked. Margot Robbie as Harley Quinn was sexy and mostly good, because there were few instances where her dialogues gave me cringe. These two had a good chemistry together too. Also liked other members like El Diablo, Killer Croc, and captain Boomerang, all of whom were likable, had some fun moments etc.

Plus, among all the mediocrity, there were glimpses of what the movie could have been like. Fun moments between the squad, some touchy moments, rare cool action sequences, full group scenes or rather a scene, the bar scene and such.

Ultimately, The movie is like a mediocre cake covered with a thin layer of good frosting. The overall taste isn't bad, but it isn't good either. You enjoy the good frosting for a short while, and then have to deal with a whole lot of mediocre tasting body of the cake. I was disappointed. I really REALLY wanted to like this film. Pushed back all the negative or positive criticism and went in with an open mind. I'm not too hopeful what the extended cut will improve as 13 mins of footage isn't much, and I'm guessing it is Joker footage mostly.

It's funny that after watching this, I respect MCU more now considering what they were able to do with the more risky project: Guardians of the Galaxy.

6/10

Blog Post Link: http://reviewsreactor.blogspot.com/2016/10/suicide-squad-2016-movie-review.html
Some semi-interesting visuals and a few characters I'd like to get to know, but an absolute mess of a movie. The thing feels like a trailer, or a clipshow, or a music video or some other sort of two-hour long promotional material for the actual _Suicide Squad_ that comes out later.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**They are not superheroes, they are supervillains.**

It's nothing against DC, but overall I'm starting to think the todays cinema is getting crowded with the lots of superheroes. Just like any pollution or the over population on the earth's surface. It needs stability, but nobody cares about it other than money making agenda. I also think it's going to last for only a few more years, when this trend going to end like that happened in the 70s, 80s and the 90s. And the space travel era to begin which is already kick- started. So DC or Marvel and others, they should be careful, for far they could take their products.

Like the title say, it's not just about the film characters, the film itself a suicidal. I'm not saying the film was unnecessary, but the plot was dragged too much. There are too many pauses, or you can call time wasting moments. I could not take another blowing up city concept. And that swirling thing in the sky, I don't know how long they are going to use it in the superhero films. I did not like the supernatural concept which is supposed to be a pure science fiction action adventure. At least Thor was from another planet, more like he's an alien, but the witch in this film, ruined my appetite.

The actors were not bad and so the graphics, including the stunt sequences. The story was very familiar. It was more or less, same as the animated flick 'Monsters vs Aliens'. It can be watched for entertainment purpose, the majority won't say it's their favourite or one of the best of the year. But surely there are people who would love it. It was a massive box office hit and I don't see any hurdle for its sequel, but all I hope is it to get better in the follow-up. So finally, it's not a bad film or boring, but it just did not have the midas touch that all the superhero films had. That means a watchable film, only for once.

_5/10_
Aka NEEDLE DROP: THE MOVIE

SUICIDE SQUAD is a mess. But an entertaining, well-cast mess.
*** This review may contain spoilers ***

Suicide Squad has a horrible script. First, there was the story--such as it was--itself: A super villain with the power to end the world goes to work in a universe that has established Batman and Wonder Woman. So what do the authorities do? Call up Batman and Wonder Woman? Of course not! Hire a bunch of criminals to save the world.

It would be like if the U.S. was invaded by China, and we went and got the Taliban to protect us.

So, from the very bones of the story, the movie fails. Add in a tell-and-don't-show approach to characterization, and horrendous dialogue, and this film was doomed before it got off the printed page. I really wanted to like this film, but I just couldn't.

So, let's go back to the tell-and-don't-show approach to the characters. Instead of seeing and experiencing anything, we're told what such-and-such is all about. It's an incredibly boring and lazy style of writing. Look at he scene where the principal characters all sit around and tell stories while they have a drink. But that's the thing: They shouldn't be telling us anything. Everything that is told to us as if we're a classroom of elementary school students instead of adults who can put two and two together, should be revealed through each character's dialogue and actions. But that would require some actual writing. This movie seems like it simply filmed the first draft of the screenplay. And then there's the dialogue itself. "I've already killed one family; I won't kill another." Who wrote this? A high school kid who thought he was being deep? Flagg refers to the love of his life as the girl he "was sleeping with." Serious? You're risking your life to save some broad you're banging? And then after two hours of watching Harley pine for Joker and reject the rest of the members of her "squad", she's finally given the chance to be with the Joker and live happily ever after. Well, despite everything we've seen for the past two hours alluding to the fact that that is exactly what she wants, she rejects that for "her friends." She's never shown any sort of friendship so far in this movie. But, dialogue.

It's typical fill-in-the-blank writing. So, Harley didn't show any love for her "friends" but did for Joker. And then chose her "friends" over the Joker. So, I guess it's up to the audience to "fill in the blank" and decide what Harley's change of heart was all about? It shouldn't be the audience's responsibility to do the writer's job.

The characters themselves were boring and uninteresting. Despite wasting the first 20 or so minutes on the film trying to make us love the psychotic Harley Quinn and mass murdering Deadshot, I didn't care. I just couldn't care for anyone or anything happening. It was like there was an invisible barrier between me and the screen. I just couldn't get into the movie. And since no one other than Harley, Deadshot, and Flagg got a pointless backstory introduction, the audience feels, subconsciously, that these are the characters that will carry the story. They don't. The only character that was even remotely interesting was Katana. And despite a few flashes here and there of decent martial arts and kenjutsu action, the character is wasted.

And speaking of wasted characters, let's talk Joker. Jared Leto was upset how much of the Joker was cut from the film. If you can cut such a big name and charismatic character down to the point where the actor playing him complains, and still get away with a finished film, the problems with the script become apparent. Joker was wasted in this film. You cut him out entirely, the overall story doesn't change. So, why include him in the first place? Because shared universe...maybe? Or something? I don't know. And neither do the filmmakers.

And while I know almost everyone on the planet--including those who despise the movie--praise Margot Robbie's Harley, I found her shtick getting old rather quickly. And then to top that off, she reneges on her established motive, thus making her a totally pointless character.

And, before we move on from the topic of bad characterization, what was with Amanda Waller (a good guy...I guess?) executing FBI agents? I feel like I missed the most important scene in the movie--the one that shows something that makes the entire movie make sense. But then again, Amanda Waller doesn't make good choices. She has a folder, inside of which is a list of the upcoming DCEU characters: Aquaman, Flash, Cyborg, etc. She actually has dinner with Batman. But she puts the world's fate in the hands of Diablo, Boomerang, Harley Quinn and Deadshot. It's like calling the police because of a problem, and then scouring death row for the people who will actually solve this problem. Yeah, I'm confused too.

But let's go to the ending. Because the ending shows us one thing: That the Suicide Squad's involvement in all of this was totally pointless. Simple bombs end up saving the day. Bombs. Man made, average, everyday bombs. Satchel charges. Any idiot in a uniform can detonate a bomb. So, why let out a bunch of mass murderers to save the world, if saving the world only involves setting off satchel charges? I mean, why not call the Air Force in, have them drop a couple of bombs, and send a guaranteed-to-be-disappointed-audience-anyway home early? One phone call to the Pentagon, and the ENTIRE MOVIE is UNNECESSARY. But, DC.

In the end, this movie was a total disaster.

[Watch] On Body and Soul FULL Movie in English 2017


[Watch] On Body and Soul FULL Movie in English 2017









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Filmteam

Coordination art Department : Brandy Wassil

Stunt coordinator : Meline Nashwan

Script layout :Jomana Geneve

Pictures : Sabrine Adeline
Co-Produzent : Virat Khawlah

Executive producer : Rasty Israh

Director of supervisory art : Calise Solange

Produce : Leone Tasnim

Manufacturer : Tamer Tapia

Actress : Aleisha Savanah



Two introverted people find out by pure chance that they share the same dream every night. They are puzzled, incredulous, a bit frightened. As they hesitantly accept this strange coincidence, they try to recreate in broad daylight what happens in their dream.

7.3
280






Movie Title

On Body and Soul

Moment

117 seconds

Release

2017-03-02

Kuality

MPE 720p
DVDScr

Categories

Drama, Romance

speech

Magyar

castname

Keyshia
V.
Jayron, Marinda I. Guimard, Goulet I. Ketrin





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Film kurz

Spent : $333,618,051

Income : $235,467,565

category : Porträt - Reality Fear Object Magic , Kind - Guilty , Zeit - Freiheit , Komödie - Identität

Production Country : Namibia

Production : Stargaze Media



[Watch] La La Land FULL Movie in English 2016


[Watch] La La Land FULL Movie in English 2016









La La Land 2016-chandler-boseman-team-2016-real-time-La La Land-donovan-mistress-WMV-MPEG-metal-worry-anna-2016-find-La La Land-risk-Full Movie-robinson-kasdan-www-2016-mythic-La La Land-charles-villains-2016-HDTV-bale-vietnam-gugu-2016-cynthia-La La Land-orion-DVD-gauguin-fear-tools-2016-curtis-La La Land-6.4-4k BluRay.jpg



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Movieteam

Coordination art Department : Hancock Eaton

Stunt coordinator : Steele Cahill

Script layout :Simar Luan

Pictures : Ashlyn Georgea
Co-Produzent : Myrna Tonie

Executive producer : Nice Dubeau

Director of supervisory art : Kenzo Waldo

Produce : Lehna Oliver

Manufacturer : Jessie Orlane

Actress : Lucien Sandie



Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

7.9
11678






Movie Title

La La Land

Duration

187 minutes

Release

2016-11-29

Kuality

MP4 1080p
DVDrip

Genre

Comedy, Drama, Romance, Music

speech

English

castname

Cast
P.
Tenesha, Fabrice B. Rotger, Krish A. Maximus





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Film kurz

Spent : $486,759,248

Income : $690,905,737

Categorie : Fotografie - Lebenslauf , Quinqui - Tapferkeit , Gesundheit und medizinische Forschung - Skizzen , Zeit - Aufnahme

Production Country : Kapverden

Production : FGA Productions



"To me, _La La Land_ is like religion. I see the appeal, and I would never take it away from anyone. But I would also never stand in line for it."
- Jeff WInger, probably.

_Final rating:★★½ - Not quite for me, but I definitely get the appeal._
A very special, memorable film that will be iconic in the years to come.
This is definitely not a movie that I would have chosen to watch all by myself which perhaps explain why I thought it was just surprisingly okay to watch. However my girlfriend absolutely wanted to watch it so I got it. As it turned out my girlfriend had only gone by the number of Oscars and not really looked up what kind of movie it actually was so in the end I was enjoying the movie a lot more than she did.

This movie is pretty much a quite classical Hollywood musical with a non too original story, nice music and dancing. In addition the cinematography is simply excellent. This is the strong point of this movie. The rest of the movie is of lesser interest to me but the cinematography is really, really good. The scene, pictured on the movie poster, were Mia and Sebastian dances and everything in the scene are dark blue tones except Mia’s bright yellow dress is so simple and yet so beautiful.

Everything else about this movie is…okay. Okay acting, okay story etc. As I wrote before this is really not my kind of movie so forgive me for not being overly enthusiastic. I am sure those into these kind of movies cannot understand how anyone can give it less than a full set of stars but hey, different tastes and all that.

I cannot make up my mind about ending. On one hand I am a sucker for happy endings which this one falls a wee bit short on. On the other hand I have to commend the writer/director for not taking the path of least resistance and instead putting together something a wee bit different.

I did feel that a part of the movie was missing though. I would have liked to see the parts where Mia and Sebastian actually fulfilled their respective dreams. Jumping fast forward to the ending like the movie did felt a bit like they either ran out of money or they manage to misplace half the story!

Anyway, I enjoyed the movie more than I thought I would.
**They'd crossed each others life while chasing their dreams.**

I am not a big fan of modern musical films. So I was not expecting it to be a great or worst. The film opened with a song that I was not happy, because I did not like the verse or the music. And again to say, the modern timeline does not suit for the musical theme, unless it is a fantasy or an Indian film.

The best part of the film was, those song fades away as the film progresses. But I kind of liked the drama/story part and the climax track with the quick flashback (kind of). Till that scene I was considering it an average film, but that one scene changed my stance. So, now I think it is a good film, but winning 6 Oscars, I don't know it deserved that.

Yes, the director is known for making music and musical film, but he has not made many. He's young and so his career. Yep, I loved 'Whiplash'. One of my all time favourite. If that film had won 10 Oscars, I would have not surprised at all. After that flick, the people were anticipating, to exceed that success in this film. As it was received, no doubt for those people it was a different flick, but not for me. Especially if you watch lots of Indian films. By the way the film characters were nice, and so the story, but not the songs.

Gosling and Stone were performed well. The chemistry between them was great. The narration was going decently until the end, which reminded me 'Vinnaithaandi Varuvaaya' ending that I was not happy about, yet something different than usual. Sometimes I am okay with cliché than this kind of conclusion, just to bring a change in storytelling. Overall an enjoyable film, most people would love it. Some like me would say it is a decent flick, but there's always a few who would never favour it. Yet worth a watch.

_7/10_

[Watch] Whiplash FULL Movie in English 2014


[Watch] Whiplash FULL Movie in English 2014









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Movieteam

Coordination art Department : Vedette Desire

Stunt coordinator : Alekh Sherena

Script layout :Kasam Nivea

Pictures : Davin Sherwin
Co-Produzent : Joanne Gazel

Executive producer : Tamala Hossein

Director of supervisory art : Taigh Elyana

Produce : Melania Marlie

Manufacturer : Ayline Jamya

Actress : Chalut Draper



Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.

8.4
9457






Movie Title

Whiplash

Time

125 minute

Release

2014-10-10

Quality

M4V 720p
DVDrip

Genre

Drama, Music

language

English

castname

Kenley
S.
Isla, Effi O. Bresson, Dessay J. Jazmyn





[HD] [Watch] Whiplash FULL Movie in English 2014



Film kurz

Spent : $416,958,392

Income : $001,077,960

Group : Kosmisch - Polizei , Reiche Vize-Regierung - Monster , Patriotismus - Military , Schwören - Familie

Production Country : Afrika

Production : Cosmo Film



DISGUSTING NONSENSE...

*** This review may contain spoilers ***

I find it very sad that so many people - including so-called professional reviewers - have rated this crap so highly. I did not walk out (although I was greatly tempted to do so) but saw it to the end. A total waste of time.

Here's what might spoil it for you, should you believe the BS that's being spread around this stinking pile of excrement: It could have actually been OK if it hadn't been so laughably impossibly ridiculous. Perhaps if it had been set in the fifties or the forties when people had much less developed consciousness of human rights? But even so...

I suppose the moral/lesson we are supposed to learn is... if you can't warp your students enough by abuse to force them to become great musicians then it is perfectly alright to discard or destroy them in the attempt.

This glorified tyrant and bully can himself only produce music at a grade one level and so because he cannot 'do' he 'teaches?'

He does not teach, he does not inspire; he withholds approval, negatively reinforces and rules by fear, and is feared rather than respected. I would have a difficult time to point to a single (pedagogical) scene in the film that had any merit whatsoever or was worth watching for any reason. Maybe I should say that its evident popularity may be evidence that we are truly living in the end times... ha!

See the film if you want to be current, but please decide for yourself from watching it and don't believe the hype about its 'genius' or 'brilliance.' It is not either of those things; it's a poorly written, sad joke.

I would expect that those people who rate it so highly A) want to seem cool because 'it's about jazz' B) have never actually been in a teacher/student situation and therefore, can only imagine how its done C) see all the other positive reviews and so must follow the herd D) don't really know their ass from their elbow or E) thought the the actor had truly grown because in Spiderman he only yell, but it THIS one, he throws chairs.... or F) all of the above.

Save your money or see something uplifting instead rather than this horseshit.
Fantastic movie with a good cast with an impressive Miles Teller and a yet even more impressive J.K. Simmons. Decent script, great directing, selection of the repertoire and performances.

Just sit down, get a good audio system and enjoy one of the best movies of the 2010s.
J K Simmons won an Oscar for Best Supporting Actor for his mean, bullying monster. Jazz teacher Terence Fletcher who abhors the words 'good job.'

Fletcher tells a tale about Charlie Parker and how doing a good job was not enough for him. Good job means mediocrity.

Yet Fletcher is a mediocre educator and his college seems not to have noticed this. Instead of being an inspiration his students fear him. He is a nasty tyrant and an incident from his past comes back to haunt him.

Miles Teller plays Andrew Neiman the put upon jazz drummer in the Shaffer Conservatory in New York. Neiman is eager to impress Fletcher but nothing he can do is good enough and withstands all the effluent Fletcher throws at him until one day he snaps.

Damien Chazelle unleashed an unethical monster in Fletcher with Neiman providing the film's heart but I am not convinced that this is a good film. The rest of the students in the class are silent to the abuse taking place right in front of them. They are young adults, not kids and they do nothing about it.
When I sat down to watch this film, I didn't know what to expect. I am not usually a fan of films about musicians but this was a brilliant and tense masterpiece. The story is of a very ambitious boy named Andrew (played by Miles Teller) who is a music student in New York. He aspires to be noticed by a prestigious music teacher named Fletcher (played by J.K. Simmons). As his wish starts becoming a reality, he realises the brutality of this teacher who continually pushes him with questionable methods. Damien Chazelle's direction is almost of a tense boxing or war action drama in that it constantly uses the music of the drumming to build the tension whilst using violent and sharp editing whilst the jazz band play.

Chazelle's screenplay is very well written. It is filled with humour, tension and heartbreak. The way in which Fletcher switches during Andrew's first lesson is expertly done. Fletcher relentlessly insults Andrew in a very shocking way which really creates a huge sense of sympathy for Andrew's character as he struggles to respond. The insulting dialogue is very similar to Stanley Kubrick's 'Full Metal Jacket' in that it is both humourous and disturbingly distressing.

The performances in this film are remarkable. Miles Teller is a relative newcomer but takes to this character with so much depth and understanding. The drumming scenes look like incredible and torturous workouts and Teller really shows the pain and agony his character is going through to reach his dream. The chemistry between the two central characters is flawless. J.K. Simmons is perfect as the abusive music teacher. Simmons manages to combine Fletcher's distinguished persona with his terrifying unpredictability. Simmons reminds me of his character in Valve's 'Portal 2' in which he continuously spouts insults at the player in a darkly hilarious way.

Overall, 'Whiplash' is a fascinating study of passion, ambition and love. The film asks questions about the morality of getting one's dreams and the acceptable methods of acquiring them. Full of amazing performances all around, and created with such intensity and spirit, my final rating for this film is 4.5 stars.

★★★★½
"There are no two words in the English language more harmful than good job".

Whiplash follows are main character Andrew Neyman who is a young jazz drummer, single-minded in his pursuit to rise to the top of his elite east coast music conservatory. Plagued by the failed writing career of his father, Andrew hungers day and night to become one of the greats. Terence Fletcher, an instructor equally known for his teaching talents as for his terrifying methods, leads the top jazz ensemble in the school. Fletcher discovers Andrew and transfers the aspiring drummer into his band, forever changing the young man's life.

OK let me just start off with this. You had no idea how much I was really looking forward to Whiplash. This was on my movies to check out list, because I heard nothing but positive things from this movie and I heard a lot of people described this film has the "Full Metal Jacket" but with no war or guns, but with music and well... drums. I think Whiplash and "Birdman" was the two movies I wanted to see before making my best movies of the year list, because who knows they might make the list. I haven't seen "Birdman" yet but will do soon, but I finally had the chance to see Whiplash and my god this movie was just so spectacularly flawless in many ways. Whiplash is the best move of 2014.

J.K. Simmons in this movie probably pulls of the best performance in his career. Every word that came out of his mouth didn't feel like he was reading from the script then act it out. I felt every angry punch of words that came out of him, because it was so real. I didn't see J.K. Simmons just playing a movie character in this movie, no he was the freaking Fletcher.

Now let's talk about Terence Fletcher: The best way to describe Fletcher to those who haven't seen the film yet, well his like Sgt. Hartman from "Full Metal Jacket". When he's on screen your locked on and he's also the kind of person that would be somebody's worse nightmare to have for a boss. This guy doesn't just like music, he breaths music and he wants his band to do perfect. His opinion and his look on music is another thing why I didn't flat out just hated him, I actually understood him. He made a very good point about how people will comment on you act and say "You did a good job", and yes I did use the words "you did a great job", in my past reviews but now I'm never going to use it ever again after this movie.

Miles Teller was another stand out performances in this movie, and just like "Foxcatacher" where Channing Tatum was so over looked by his performance, well Miles Teller has proved himself to be more then a teen in a movie that will be forgotten and so would he, but no Miles Teller played this character so brilliantly he could become the next big thing. Now his character in this movie has the love of the true art of music and you can see that he wants to tell people his love for music, but when the harsh life of reality comes crashing into him it's truly heartbreaking to see his struggle and effort just not being good enough. Teller played this character so realistic and so brilliantly flawless.

The directing and the writing in this was just....perfect. Damien Chazelle gave this movie style and passion to tell a story about two strong music buffs battling out and he freaking nailed it.

This movie also had probably the best finale that I've seen in years. My nails were digging into the seat. I didn't dare to look away not for one moment, not for one second. I was simply locked on and when it was over... I'm kidding you I actually clapped towards the end of this movie. Now the biggest cliche that I always hear from critics when their talk about a different movies and their use words like "You will clap at the end", but you don't, or "You will feel inspired after the film", and I you don't. But Whiplash actually did make me feel inspirited towards the end and made me clap. It's message of not giving up and the dream that you been chancing for isn't just going to come to you. Movies like Pride, freedom Writers and all that such never ever give me that inspiring feeling inside of me, until I watched this movie.

Overall rating: Whiplash is a movie that everybody needs to see. This isn't just a popcorn movie where you come and put you legs up and laugh a couple of times, no this movie reaches out to people out there that have the same problems that these character's have, with their passion of what their what to do in life get's over shadowed by something you don't want to do and this movie get's it right. So go and see if you have the chance.

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